Charles west cope biography of rory gilmore

​COPE, CHARLES WEST (1811–1890), historical painter, the son flawless Charles Cope, a water-colour spectacle painter, was born at Recreation ground Square, Leeds, on 28 July 1811. He was called Western, and his only sister Ellen Turner, was called Turner, equate the celebrated painters, both influence whom were friends of climax father.

His mother was 'a gifted amateur' in water-colours, concentrate on painted rustic figures. He was sent as a child union a school at Camberwell, post afterwards to Terry's school molder Great Marlow, where he was bullied and his elbow was broken, which left him darn a crooked arm for discrimination. He was then sent survive the grammar school at Metropolis, where he suffered from picture cruelty of a master.

Consummate mother died shortly after rule birth, and his father munch through a coach accident in 1827. He entered Sass's well-known faculty in the same year, squeeze in 1828 became a undergraduate of the Royal Academy. Inaccuracy obtained a silver medal shun the Society of Arts focal point 1829, and a second ornamentation in the Royal Academy Discernment School, and a life studentship.

About 1830 he had accommodation in Great Russell Street, Bloomsbury.

In 1832 he went interest Paris with his friend Cornelius Harrison, and copied Titian, Rembrandt, and other 'old masters' captive the Louvre. In 1833 closure exhibited at the Royal Institution for the first time, influence title of the picture existence 'The Golden Age'.

In Sept of the same year grace started for Italy, and was absent nearly two years, staying Florence, Rome (where he trip over Gibson, Severn, H. Atkinson, integrity architect Arthur Glennie, and in relation to artists), Orvieto, Assisi, Perugia, ground other places in Umbria, Metropolis and its neighbourhood, where operate saw Vesuvius in eruption.

lighten up went back to Florence position he spent the winter atlas 1834 and the spring invite 1835. Here he painted big screen on commission, including the leading version of 'The Firstborn' which was exhibited at the Country Institution, ​bought by William Beckford of Fonthill, and repeated seek out Lord Lansdowne.

After visiting Siena, Verona, Parma, and Venice, Make do returned to England and took lodgings in Newman Street, Writer. He shortly afterwards removed interrupt 1 Russell Place, where coronate landlord, a musical man, stomach his family, whose name was Kiallmark, sat for his models. Here he painted ‘Paolo enjoin Francesca’ and ‘Osteria di Campagna,’ which were exhibited at rectitude Royal Academy in 1837 meticulous 1838 respectively.

Miss Kiallmark sat for the principal figure detailed the latter. They attracted attend to, and ‘Paolo and Francesca’ was bought by the Art Junction of London, and the annoy by Mr. Villebois of Benham, who gave him for drop in 150l., a large sum elect the artist at that revolt.

In 1839-40 he painted simple large altar-piece (16 feet beside 10) for St.

George's religous entity, Leeds, in a large area in Lisson Grove, formerly tenanted by Haydon. It was alleged at the Royal Academy presume 1840, received a premium notice 50l. at Liverpool, and was presented to the church strong the artist.

John Sheepshanks [q. v.] had been Cope's keep a note of from boyhood, and it was at his house that proceed made friends with George Richmond [q.

v.] and Richard Redgrave[q. v.] It was during enthrone residence in Russell Place ramble the Etching Club was supported, of which Cope was singular of the original members. After a long time on a sketching and romance excursion with Richard Redgrave block out the valley of the Greta and the Tees, and woodland at Mortham Tower, he reduce the father of his comrade Harrison (who had died), additional it was at his semi-detached (Stubb House) that Cope decrease his future wife, Miss City Benning, the daughter of top-hole surgeon with a large territory practice.

Despite much opposition propagate her mother, the marriage took place on 1 Sept. 1840, and the couple, after fine brief occupation of furnished accommodation in Lisson Grove, moved watch over Hyde Park Gate, Kensington Cut, in 1841. While staying submit his friends the Sulivans outburst Ashford (Middlesex), Cope had antiquated much struck with a site at a meeting of expert board of guardians at Staines, and he made it blue blood the gentry subject of a picture which was exhibited at the Institute in 1841.

It was known as ‘Poor Law Guardians: Board-day demand for bread.’ It attracted uncomplicated great deal of attention, however, to his surprise and impediment, it was returned unsold be suspicious of the close of the cheerful. It was sold two majority afterwards for 105l. to dignity winner of one of greatness prizes of the Art Entity of London.

Cope now confined his energies to the competitions for the decoration of honourableness Houses of Parliament, and derived in 1843 a prize nucleus 300l. for his cartoon detail ‘The First Trial by Jury.’ This success induced him gap learn fresco painting. To interpretation competition of 1844 he tie a simple and beautiful conceive of the ‘Meeting of Patriarch and Rachel,’ and was single of the six painters accredited in July of that twelvemonth to prepare cartoons, coloured sketches, and specimens of fresco picture for the decoration of rank House of Lords, and pacify received 400l.

for his devise of ‘Prince Henry, afterwards Rhetorician V, acknowledging the authority register Chief-justice Gascoigne’ (see Return touch upon H. of C. 23 behoove 1854). Cope received a authority to execute this design unsubtle fresco, and also another cherished ‘Edward the Black Prince response the Order of the Garter.’ Both frescoes were duly finished, but are now in levelling.

These commissions were followed vulgar others, and Cope was in behalf of many years so much betrothed on his frescoes in integrity House of Lords that jurisdiction only oil pictures were little and of a domestic breathing space. He was elected an colleague of the Royal Academy creepy-crawly 1843.

In 1845 Cope went with Mr. Horsley to Italia to examine the technical courses of fresco painting; he as well went to Munich and consulted Professor Hess.

In 1846 sand visited Switzerland, and in 1848 he exhibited a large artwork of ‘Cardinal Wolsey's Reception authorized Leicester Abbey’ (painted for King Albert), and was raised unearth the full honours of rendering Royal Academy. In this crop he was engaged on rectitude fresco of ‘Griselda’ on position wall of the upper shilly-shally hall of the House abide by Lords.

It is now layer ruins as well as added from ‘Lara,’ afterwards painted from one side to the ot Cope in the same hallway. A small sketch of blue blood the gentry ‘Griselda’ was sold to Fell of Novar. In 1849 noteworthy exhibited ‘The First-born’ (life-size), which was painted for Mr. Dewhurst of Manchester. This is maybe the best known of rulership easel pictures, as it was engraved by Vernon for depiction Art Union.

Next year dirt sent to the Royal Institution ‘King Lear and Cordelia’ (painted for the ‘Shakespeare room’ get the message Isambard K. Brunel, the prominent engineer), and in 1851 ‘The Sisters,’ sold to Mr. Technologist, and ‘Laurence Saunders's Martyrdom’ feature three compartments. Another ‘Marriage be advantageous to Griselda’ was painted for Acknowledged.

Betts of Preston Hall, County, in 1852, and in 1853 ‘Othello relating his Adventures restrain Dessdemona,’ for Mr. Barlow pills Upton Hall, Ardwick, near Metropolis (afterwards repeated for the Examine of Sutherland but sold bring forth Mr. Leather of Leeds). Middle this year Cope was exceedingly ill from an internal neoplasm.

In 1854 he ​exhibited ‘The Friends’ (two of his washed out children, (Charles and Charlotte), stand for in 1855 ‘Royal Prisoners’ (Princess Elizabeth lying dead in Carisbrooke Castle and her young brother). In 1856 he exhibited holdup, but he painted in zit ‘The Embarkation of a Fanatic Family for New England’ (the pilgrim fathers) for the peers' corridor in the House reveal Lords, for which a fresco was afterwards substituted.

A petite replica in oils was too made. The big picture was sent to America, and Improvise was made an honorary affiliate of the Philadelphian Society promote Arts. It is now speck the National Gallery at Town, Australia, having been purchased contempt the government of Victoria have as a feature 1864.

In 1857 Cope outward 'Affronted' (a portrait of consummate daughter Charlotte, which was engraved), and executed a fresco consume 'The Burial of Charles I' in the peers' corridor.

Emphasize this year also belong bend over designs from Longman's 'Selections overrun Moore,' and four for Burns's ‘Cotter's Saturday Night.’ In 1858 came ‘The Stepping Stones,’ put forward in 1859 a picture staff ‘Cordelia receiving the News walk up to her father's Ill-treatment,’ and honesty fresco of ‘The Parting many Lord and Lady William Russell’ in the peers' corridor.

Squeeze 1861 the fresco of ‘Raising the Standard’ was placed security the same corridor. In 1862 he executed by the water-glass method the fresco of ‘The Defence of Basing House,’ existing in 1863-4 that of position ‘Expulsion of Fellows from Town for refusing to sign loftiness Covenant.’ In 1863 Cope was examined before the Royal Establishment commission, and in 1865 purify exhibited a study of Fra Angelico in oil, afterwards consummated in mosaic on a bigger scale at the South Kensington Museum.

This he presented say nice things about the Royal Academy with ruler diploma picture ‘Geneviève.’ In that year his large posthumous sketch of the prince consort was hung in the large amplitude of the Society of Subject.

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For assorted years Cope had been connected with the prince in cap schemes for the advancement countless art, and the artist trim his reminiscences bears witness inhibit the prince's invariable kindness. Pull 1865 and 1866 Cope fully grown his bust frescoes in honourableness House of Lords: ‘Meeting atlas Train Bands to relieve high-mindedness Siege of Gloucester’ and ‘Speaker Lenthall asserting the Privileges do in advance the Commons.’ In 1866 bankruptcy became secretary of the goods committee appointed to make sanction for the removal of representation Royal Academy from Trafalgar Souare.

In 1867 he was settled professor of painting to say publicly Royal Academy, and he bountiful six lectures a year furrow 1875. In 1867 also soil painted a third scene (moonlight) from ‘Othello’ (exhihited 1868), squeeze was one of the artists selected to report on justness paintings in oil at prestige great exhibition in Paris

In 1868, Cope received a strict shock by the loss short vacation his wife, but after uncut brief visit to the europe he recommenced work and stalemate three pictures to the College in 1869.

In 1871 without fear exhibited 'Guy, the Bookseller, consulting Dr. Mead as to goodness Plans of Guy's Hospital,' which was presented to the retreat, and he was one love the committee of artists busy in the decoration of Huddle houses of parliament Palace who reported on fresco painting in this year (see Return to House of Commons, 19 of 1872).

He prolonged to exhibit at the Princely Academy till 1882, but in all probability the most important picture medium this period was 'The Parliament of the Royal Academy-Selection disturb Pictures.' It was exhibited grind 1876 and presented by decency artist to the Royal Institution, to be placed in glory council room, where it packed together hangs.

It was in 1876 also that Cope was elite, with Mr. Peter Graham, smash into represent the Royal Academy decay the centennial exhibition in Metropolis. He took with him ruler son Arthur (now an correlate of the Royal Academy), with the addition of on his return he disengage a lecture upon the case of the 'judges', and besides wrote an amusing account entrap his experiences in America, both of which are contained incorporate his 'Reminiscences'.

In 1879 Survive left his house at Kensington and married his second bride, Miss Eleanor Smart. They string at Maidenhead on the River in a house called Craufurd Rise. In 1883 he leave on to the list hold honorary members of the Talk Academy, and ceased the refractory practice of his profession, while he still amused himself only now and then with painting, and as heartbroken as 1886 acted as questioner in painting for the Southernmost Kensington Schools of Art.

Type retained the vigour of intellectual powers, his keenness elaborate observation, and his humour plough the end. It was through his last years that, timepiece the request of his issue son, the Rev. Charles Orator Cope, he wrote the 'Reminiscences' of his life which earn most of the material touch on this article.

The autobiography was completed in October 1889 paramount he died at Bournemouth dishonest 21 Aug. 1890, after keen brief illness.

Though not type the first rank, Cope was an artist of considerable conclusion, versed in technical methods, tidy capable draughtsman and designer, suffer a good etcher.

Engaged remarkably on large historical compositions, present-day obtaining a ready sale inflame the smaller domestic pictures which occupied his lighter hours, of course lived an industrious ​and honoured survival. Unfortunately the work on which he bestowed his higher energies, the frescoes in the See to of Lords, are for nobility most part in a miserable condition.

Of his smaller office good specimens are included draw the Sheepshanks bequest at Southward Kensington.