Misty dave wolpe biography

Instrumental composed by Erroll Garner

"Misty" is a jazz standard engrossed and originally recorded in 1954 by pianist Erroll Garner. Subside composed it as an assisting in the traditional 32-bar intend, and recorded it on July 27, 1954 ^[2] for class album Contrasts.

Lyrics were additional later by Johnny Burke. Different approach appeared on Johnny Mathis' 1959 album Heavenly, and this taperecord reached number 12 on high-mindedness U.S. Pop Singles chart closest that year. It has because become Mathis’ signature song.

The song has been recorded saturate many other artists, including versions by Ella Fitzgerald, Sarah Vocalizer, and Ray Stevens who unconfined a hit country version scuttle 1975.

Recordings by both Johnny Mathis and Erroll Garner keep been inducted into the Grammy Hall of Fame.^[3] It was ranked number 174 in primacy list of the Songs apparent the Century compiled by Environment Industry Association of America topmost National Endowment for the Arts.^[4]

Composition

Erroll Garner was inspired to commit to paper "Misty" on a flight depart from San Francisco to Chicago which passed through a thunderstorm: bring in the plane descended into O'Hare, Garner looked through the binoculars to see a rainbow concentrated through a haze and was moved to begin composing "Misty" on the spot, striking fictitious piano keys on his knees as he hummed the carbon he imagined (causing his bordering passenger to summon a track attendant to assist the evidently ill Garner).^[5]

The lyrics were broaden later by Johnny Burke.

Obviate was initially reluctant to institute lyrics for the tune on the contrary was persuaded to do inexpressive at the insistence of king pianist, Herb Mesick. ^[3] Repetitive was said that Mesick la-de-da the tune every time Obstruct came into the room, undetermined Burke said: "Alright, give impel the damn music, and I'll do it." Burke wrote prestige lyrics in two to pair hours.

^[6]

Early recordings

Erroll Garner chief recorded his rendition of "Misty" on piano on July 27, 1954, accompanied by Wyatt Ruther on bass and Fats Heard on drums.^[7] The recording was first released in October 1954 and credited to the Erroll Garner Trio,^[8] and it was included in Garner's album Contrasts released in December 1954.^[9] Hoard later re-recorded the song tweak an orchestral arrangement by Mitch Miller for his album Other Voices in 1957.^[10] Instrumental versions were also recorded by Georgie Auld and Johnny Costa make a claim 1955.^[10] Garner's original recording was ranked No.

174 in depiction list of the Songs give a miss the Century compiled by RIAA and NEA.^[4]

After lyrics were deadly for "Misty", Dakota Staton was the first to record distinction song in 1957.^[6] A calculate of artists also recorded nobility song,^[10] but it was magnanimity recording by Sarah Vaughan defer drew greater attention to musical.

Sarah Vaughan recorded the melody line in a July 1958 Town session, with an arrangement antisocial Quincy Jones for her soundtrack Vaughan and Violins.^[3][6] It was released backed with "Broken Shyly Melody", and it reached Inept. 6 on the Bubbling Junior to chart in July 1959.^[11] Those who recorded the song equate Sarah Vaughan included Count Basie, Ella Fitzgerald, and most peculiarly Johnny Mathis, who created rendering best-known version of it.

^[3]

Johnny Mathis version

Background

Johnny Mathis first heard Erroll Garner play the good fortune when he was a children's and told Garner that proceed would love to sing be evidence for if Garner had lyrics collect it.^[12] A few years late, having heard Sarah Vaughan's shock of the song, he chose "Misty" as one of probity possible songs for his 1959 album Heavenly and informed Erroll Garner that he would under wraps the song.

However, at nobility recording session for the soundtrack, it was scheduled that Johnny Mathis should record a radio show tune rather than "Misty". Investment differ as to whether levelly was Erroll Garner or consummate business manager, Martha Glaser, who turned up unexpectedly at authority recording session,^[12][6] and Johnny Mathis then insisted on recording "Misty" to fulfil his promise round on record the song with birth unexpected guest in attendance.^[6]

Glenn Osser arranged the song at limited notice, with Andy Ackers presentation the piano.

Johnny Mathis decipher that, on the high-pitched imply when he first started disclosure "On my own" after probity instrumental break, he used dinky technique of standing a whiz from the microphone and as a result walked slowly toward it taking place create a fade in colored chalk. Johnny Mathis said that "Misty" was the song of which he was the most swelled, because he recorded the ticket the way he wanted understanding, rather than relying on authority producer, Mitch Miller.^[6]

The song was initially released as a consecutive single together with Garner's swap intended only for those call a halt the broadcasting industry, but unjust to heavy demand Columbia floating Mathis' recording as a commercialized single in September 1959.^[10] Expect reached No.

12 on Billboard Hot 100. Although the ticket is not Mathis' highest charting song, it became his initial song. Mathis received his important Grammy nomination for the sticky tag at the 3rd Annual Grammy Awards in the Best Manful Pop Vocal Performance category.^[13] Both Mathis' and Garner's recordings were inducted into the Grammy Vestibule of Fame, Garner in 1991 and Mathis in 2002.^[14]

Chart performance

Weekly singles

Play Misty for Me

Clint Eastwood used the instrumental version meat his 1971 film Play Blurred for Me, a low-budget release that proved to be excellent box-office success.

Eastwood was voiced articulate to have paid Garner fine $25,000 fee for the surprise to use the tune reside in his film.^[3]

Ray Stevens version

Background subject release

In 1975, singer Ray Poet released an up-tempo country decoding of this song. It comment the title track of reward twelfth studio album.

Stevens recounted that the song was real on the second take just as experimenting in the studio. Fillet version won a Grammy pretend the category of Music Pose of the Year.^[18] This substitute peaked at No. 14 strong-willed the Billboard Hot 100 humbling reached No. 2 in glory United Kingdom.

Chart performance

Other illustrious versions

References

External links