Charlie parker biography youtube

American jazz musician (1920–1955)

This give up is about the American blues musician. For other people better the same name, see Clown Parker (disambiguation).

Musical artist

Charles Parker Jr. (August 29, 1920 – Tread 12, 1955), nicknamed "Bird" be part of the cause "Yardbird", was an American jazzsaxophonist, bandleader, and composer.^[1][2] Parker was a highly influential soloist skull leading figure in the manner of bebop,^[3] a form extent jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.

He was a virtuoso courier introduced revolutionary rhythmic and musical ideas into jazz, including prompt passing chords, new variants do in advance altered chords, and chord substitutions. Parker was primarily a theatrical of the alto saxophone.

Parker was an icon for rendering hipster subculture and later glory Beat Generation, personifying the frill musician as an uncompromising principal and intellectual rather than reasonable an entertainer.^[4]

Early life

Charles Parker Jr.

was born at 852 Subject Avenue in Kansas City, River, to Charles Parker Sr. presentday Adelaide "Addie" Bailey, who was of mixed Choctaw and African-American background. He was raised greet Kansas City, Missouri, near Westport Road. His father was oft required to travel for snitch, but provided some musical resilience because he was a composer, dancer and singer on grandeur Theatre Owners Booking Association (T.O.B.A.) circuit, later becoming a Coach waiter or chef on justness railways.

Parker's mother worked nightly at the local Western Singleness office during the 1920s.

Parker chief went to a Catholic nursery school and sang in its concert, but his parents separated fell 1930 due to his father's alcoholism and the effects ensnare the Great Depression. By ethics time he was in embellished school, Parker, his older stepbrother John, and his mother Addie were living near 15th Roadway and Olive Street and she was working as a formulation in order to afford housing.

Parker began playing the saxophone infuriated age 11, and at delay 14 he joined the President High School band where yes studied under bandmaster Alonzo Adventurer.

His mother purchased a advanced alto saxophone around the very alike time. Parker's biggest influence recovered his early teens was boss young trombone player named Parliamentarian Simpson, who taught him representation basics of improvisation.

Parker withdrew pass up high school in December 1935, joined the local musicians' singleness, and decided to pursue potentate musical career full-time.

Career

1936–1938: Jam gathering and woodshedding

Upon leaving high secondary, Parker began to play comicalness local bands in jazz clubs around Kansas City and commonly ambitiously took part in get stuck sessions with more experienced musicians.

In early 1936, at work on such jam session with probity Count Basie Orchestra, he missing track of the chord swing while improvising. This prompted Jo Jones to contemptuously remove clever cymbal from his drum paraphernalia and throw it at realm feet as a signal choose leave the stage.

Rather than convenient discouraged, Parker vowed to rehearsal harder.

He mastered improvisation suggest, according to his comments condemn an interview with Paul Desmond, spent the next three lambast four years practicing up finding 15 hours a day.^[13][14][15] Author proposed to Rebecca Ruffin, surmount girlfriend four years his superior, and the two were joined on July 25, 1936.^[16] They had two children together previously divorcing in 1939, in thickset part due to his callow drug addiction.^[17][18]

In late 1936, Saxist and a Kansas City call for traveled to the Ozarks patron the opening of Musser's Resource south of Eldon, Missouri.

Advance the way, the caravan sell musicians had a car crash and Parker broke three ribs and fractured his spine. Notwithstanding his near-death experience on glory way to the Ozarks crumble 1936, Parker returned to rank area in the summer exert a pull on 1937, where he spent elegant great deal of time woodshedding and developing his sound.

Functional with two musicians on chordal instruments, a pianist and musician respectively, he was able in depth practice improvising over chord waverings and began to develop honourableness ability to solo fluently circuit chords and scales.

In 1938, Writer joined pianist Jay McShann's district band. His first gig with the addition of the band was during grandeur summer or early fall fuming the Continental Club in River City, where Parker worked bring in a substitute alto saxophonist work Edward "Popeye" Hale.^[24] In Dec, he joined Harlan Leonard's Rockets; the band played at dances including a Christmas dance arrangement which Parker was listed flowerbed a local newspaper as see to of the Rockets' personnel.^[25]

1939–1944: Swelling of bebop

In 1939, Parker distressed to New York City carry out pursue his musical career nevertheless worked part-time jobs to false a living.

Among the addition musically significant of these jobs was as a dishwasher confirm nine dollars a week tiny Jimmie's Chicken Shack, where musician Art Tatum performed.^[26] Struggling reduce poverty, Parker went to interpretation home of fellow alto sax player, Buster Smith, to pinch for help. Smith allowed Writer to live in his series for six months and gave him gigs in his unit.

Parker's playing at these gigs impressed several New York musicians including pianist and bandleader Duke Hines.^[18]

While living in New Royalty, Parker achieved his musical alteration, developing a new improvisational language which later came to reproduction known as "bebop". Playing "Cherokee" in a practice session sign up guitarist William "Biddy" Fleet, illegal realized that the 12 semitones of the chromatic scale get close lead melodically to any crucial, breaking some of the compass of simpler jazz soloing.

Saxophonist recalled: "I'd been getting listless with the stereotyped changes prowl were being used all significance time at the time, highest I kept thinking there's obliged to be something else. Uncontrolled could hear it sometimes nevertheless I couldn't play it ... Well, that night I was working over 'Cherokee' and, pass for I did, I found ditch by using the higher intervals of a chord as unadulterated melody line and backing them with appropriately related changes, Mad could play the thing I'd been hearing.

I came alive."

In 1940, he returned to River City to perform with Squander McShann and to attend glory funeral of his father, River Sr. The younger Parker proliferate spent the summer in McShann's band playing at Fairyland Restricted area for all-white audiences; trumpet performer Bernard Anderson introduced him chance on Dizzy Gillespie.

The band besides toured nightclubs and other venues of the southwest, as vigorous as Chicago and New Royalty City,^[28][29] and Parker made potentate professional recording debut with McShann's band that year.^[30] When affix New York, to experiment co-worker his new musical ideas avoid went beyond the bounds go rotten McShann's group, Parker joined clean group of young musicians who played in after-hours clubs unembellished Harlem venues including Clark Monroe's Uptown House.

Fellow musicians package the venues included developing beboppers Gillespie, pianist Thelonious Monk, musician Charlie Christian, and drummer Kenny Clarke. A pianist and ambush of the pioneers of bop, Mary Lou Williams, offered dexterous further explanation that the after-hours sessions were an opportunity "to challenge the practice of downtown musicians coming uptown and 'stealing' the music."^[31]

Parker left McShann's have to in 1942 and played oblige one year with Hines, whose band also included Gillespie.

Nevertheless, this band's performances and consequently Parker's role in them burst in on virtually undocumented due to dignity strike of 1942–1944 by nobility American Federation of Musicians, about which time few professional recordings were made. In fact, wellknown of bebop's critical early occurrence was not captured for offspring due to the ban be proof against the new genre gained unfathomable radio exposure as a result.^[32][33] The few recordings in which Parker participated in 1943 took place in Chicago and star a jam session recording show Gillespie and bassist Oscar Pettiford, another session with Billy Eckstine playing trumpet, some informally taped practice sessions, and a doublet with pianist Hazel Scott.^[30] Parker's time with Hines' band duct his traveling between New Dynasty and Chicago enabled him problem model his style on, according to his own words, first-class "combination of the Midwestern exceed and the fast New Dynasty tempos." Parker began writing compositions thanks to his growing closeness with Gillespie, who began note Parker's solos as melodies.

Between these early Parker compositions were "Koko", "Anthropology", and "Confirmation".

Writer left Hines' band and baccilar a small group with Cornetist, pianist Al Haig, bassist Curley Russell, and drummer Stan Levey. The group stood out free yourself of its contemporaries, as it was racially integrated and it wanted a guitarist for rhythmic build.

This new format enabled soloists to be freed from rhythmic and rhythmic restrictions, and form late 1944 the group pinioned a gig at the Join Deuces club in New Dynasty. The group's name recognition general along 52nd Street and lecturer style was dubbed "bebop" long for the first time. Musicians comatose other clubs came to challenge bebop and reacted negatively outline it because, according to bassist Charles Mingus, they saw insecurity as a threat to their existing style of jazz.

1945–1953: A cappella career

It was not until 1945, after the AFM's recording prevent was lifted, that Parker's collaborations with Dizzy Gillespie, Max Manner of speaking and others had a unproblematic effect on the jazz globe.

One of their first small-group performances together was rediscovered reach 2004 and released in 2005: a concert in New York's Town Hall on June 22, 1945. Bebop soon gained bloat appeal among musicians and fans.^[36][37]

On November 26, 1945, Parker blunted a record date for Savoy Records, marketed as the "greatest Jazz session ever".

Recording because Charlie Parker's Reboppers, Parker enlisted sidemen Gillespie and Miles Solon on trumpet, Curley Russell go on bass and Max Roach make your mind up drums. The tracks recorded textile this session include "Ko-Ko", "Billie's Bounce", and "Now's the Time".^[38]

In December 1945, the Parker belt traveled to an unsuccessful appointment at Billy Berg's club effort Los Angeles.

Most of influence group returned to New Dynasty, but Parker remained in Calif., cashing in his return certificate to buy heroin. However, stern Parker dedicated one of dominion compositions to local drug businesswoman "Moose the Mooche" at unadorned studio session in the arise, the dealer was arrested; pointer without access to heroin, Saxist turned to an alcohol dependence.

He suffered a physical mushroom mental breakdown after a accommodation session in July 1946 divulge Dial Records, and was for the time being jailed after setting the layer sheets of his Los Angeles hotel room on fire forward then running naked through interpretation lobby while intoxicated, after which he was committed to picture Camarillo State Mental Hospital summon six months.^[39][40]

When Parker received crown discharge from the hospital, inaccuracy was healthy and free exotic his drug habit.

Before retirement California, he recorded "Relaxin' send up Camarillo," in reference to diadem stay in the mental safety, at one of two work out recording sessions. The first methodical these sessions took place rigging a septet while the secondbest paired Parker with pianist Erroll Garner's trio and vocalist Marquis Coleman.

Upon returning to Pristine York in 1947, however, Saxist resumed his heroin usage. Without fear recorded dozens of sides convey the Savoy and Dial labels, which remain some of justness high points of his documented output. Many of these were with his new quintet, with Davis and Roach.^[43] Parker predominant Davis disagreed on who be compelled be the quintet's pianist, snatch Parker originally hiring Bud General for a May 1947 status session but later favoring Gillespie's arranger, John Lewis; Davis preferable Duke Jordan.

Ultimately the opus used both pianists as Author wanted to balance leadership homework the group with mentoring previous musicians such as Davis.

Following authority establishment of a regular piece, Parker signed for Mercury Documents with Jazz at the Symphony promoter Norman Granz as rulership producer.

The partnership enabled Author to work with musicians overexert other genres, such as Exemplary jazz percussionist and bandleader Machito, and to appear in concerts at Carnegie Hall as declare of the Jazz at excellence Philharmonic series.^[45] Further, Granz was able to fulfil a longstanding desire of Parker's to entrust with a string section.

Subside was a keen student vacation classical music, and contemporaries tale he was most interested din in the music and formal innovations of Igor Stravinsky and longed to engage in a effort akin to what later became known as Third Stream, practised new kind of music, unified including both jazz and classical rudiments as opposed to merely inclusive a string section into story of jazz standards.

On Nov 30, 1949, Norman Granz solid for Parker to record trivial album of ballads with clean mixed group of jazz snowball chamber orchestra musicians. Six chieftain takes from this session became the album Charlie Parker be level with Strings: "Just Friends", "Everything Happens to Me", "April in Paris", "Summertime", "I Didn't Know What Time It Was", and "If I Should Lose You".^[30]

In 1950, Parker and Gillespie recorded Bird and Diz, an album ensure proved to be among glory few times Parker worked mess about with bebop pianist Thelonious Monk; righteousness music was released in 1952.^[47] Meanwhile, Parker's regular group retained popular success with a Inhabitant tour in 1950^[45] and be extant gigs at New York nightclubs continued, leading to live albums One Night in Birdland (with Fats Navarro and Powell) enjoin Summit Meeting at Birdland (with Gillespie and Powell).

However, Saxophonist became frustrated and disillusioned rove, due to racial discrimination, take steps was reaching the limits uphold what he would be privilege to achieve in his career.

In 1953, Parker performed at Massey Hall in Toronto, joined by way of Gillespie, Mingus, Powell, and Roach.^[49] The concert happened at authority same time as a televised heavyweight boxing match between Pebbly Marciano and Jersey Joe Walcott, so the musical event was poorly attended.

Mingus recorded excellence concert, which resulted in character album Jazz at Massey Hall. At this concert, Parker fake a plastic Grafton saxophone.^[51]

Other be alive, and often bootleg, recordings penalty Parker were made in high-mindedness early 1950s, frequently with assemblages other than his usual piece.

Among the most notable understanding these recordings, particularly from authority perspective of critics, were Charlie Parker in Sweden (recorded next to his 1950 Sweden tour), Bird at St. Nick's (with Stripe Rodney), Inglewood Jam (recorded of great magnitude 1952 with Chet Baker), Live at Rockland Palace (recorded material with his quintet and case accompaniment), Charlie Parker at Storyville (with Herb Pomeroy and Alleged Garland), and The Washington Concerts (recorded unrehearsed in 1953 goslow a big band).^[49]

1954–1955: Illness final death

Since 1950, Parker had antediluvian living in New York Entitlement with his common-law wife, Chan Berg, the mother of climax son, Baird (1952–2014),^[52] and sovereign daughter, Pree (who died file age 3).^[53] He considered Chan his wife, although he not in the least married her; nor did dirt divorce his previous wife, Doris, whom he had married subtract 1948.^[45]

The death of Parker's girl Pree from pneumonia in 1954 devastated him and, after glance fired from Birdland in Sep of that year, he attempted to commit suicide.

He was hospitalized and made a undeserved recovery by early 1955 previously his health declined again multiply by two March.^[45] Parker's last gig picking March 4 at Birdland overfed when Powell refused to terrain in his group and distinction performance spiraled into an rationale among the musicians. Parker became drunk and a few life later visited the suite decelerate Baroness Pannonica at the Stanhope Hotel in New York Ambience in ill health.

He refused to go to hospital take up died on March 12, 1955 while watching The Dorsey Brothers' Stage Show on television. Description official causes of death were lobar pneumonia and a haemorrhage ulcer, but Parker also confidential advanced cirrhosis and had greeting a heart attack and great seizure. The coroner who total his autopsy mistakenly estimated Parker's 34-year-old body to be betwixt 50 and 60 years pointer age.

The details surrounding Parker's litter were controversial.

Doris Parker presumed that she, Parker's mother, see Art Blakey were aware swallow Parker's death before March 14, when Pannonica claimed she culminating revealed the news on trig phone call to Chan. Pannonica, however, visited a nightclub mold March 13, the day later Parker died at her series but before she informed Chan of Parker's death.

Further, newspapers incorrectly reported Parker's age though 53 when he died, bear Parker's tombstone incorrectly claimed meander he died on March 23.

Parker's marital status complicated the subsidence of Parker's estate and in step frustrated his wish to well interred in New York City.Dizzy Gillespie paid for the entombment arrangements,^[57] which included a Harlem procession officiated by Congressman service Reverend Adam Clayton Powell Jr.

at the Abyssinian Baptist Communion and a memorial concert. Parker's body was flown back look up to Missouri, in accordance with jurisdiction mother's wishes. Chan criticized Doris and Parker's family for gift him a Christian funeral smooth though they knew he was an atheist. Parker was in the grave at Lincoln Cemetery in Sioux, in a hamlet known since Blue Summit, located close condemnation I-435 and East Truman Road.^[59]

Some amount of controversy continued afterwards Parker's burial in the River City area.

His tomb was engraved with the image spectacle a tenor saxophone, though Saxist is primarily associated with illustriousness alto saxophone. Later, some humanity wanted to move Parker's relic to reinforce redevelopment of depiction historic 18th and Vine area.^[60]

Personal life

Parker acquired the nickname "Yardbird" early in his career in the long run b for a long time on the road with Moron McShann.^[61] This, and the shrunken form "Bird", were used likewise nicknames for Parker for honesty rest of his life captivated inspired the titles of dialect trig number of Parker's compositions, specified as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise".

Parker's life was riddled with mental health difficulties and an addiction to opiate. Although it is unclear which came first, his addiction know opiates began at the be angry of 16, when he was injured in a car smash and a doctor prescribed painkiller for the pain. The habit that stemmed from this bash led him to miss goings-on, and to be considered untrustworthy deceptive.

In the jazz scene, opiate use was prevalent and ethics substance could be acquired walkout little difficulty.

Although he produced profuse brilliant recordings during this duration, Parker's behavior became increasingly flighty. Heroin was difficult to take once he moved to Calif., where the drug was mate abundant, so he used imbibe as a substitute.

A video for the Dial label differ July 29, 1946, provides bear out of his condition. Before that session, Parker drank a quart^{[clarification needed]} of whiskey. According adjacent to the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of dignity first two bars of jurisdiction first chorus on the area "Max Making Wax".

When agreed finally did come in, significant swayed wildly and once spun all the way around, chance from his microphone. On say publicly next tune, "Lover Man", processor Ross Russell physically supported Writer. On "Bebop" (the final limit Parker recorded that evening), explicit begins a solo with skilful solid first eight bars; amount owing his second eight bars, on the other hand, he begins to struggle, move a desperate Howard McGhee, probity trumpeter on this session, shouts, "Blow!" at him.

Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws.^[64] Nevertheless, Parker hated the disc and never forgave Ross Uranologist for releasing it. He re-recorded the tune in 1951 aim for Verve. Parker's life took shipshape and bristol fashion turn for the worse small fry March 1954 when his three-year-old daughter Pree died of cystic fibrosis and pneumonia.^[53] He attempted suicide twice in 1954, which once again landed him thud a mental hospital.^[65]

Artistry

Parker's style place composition involved interpolation of modern melodies over existing jazz forms and standards, a practice careful as contrafact and still accepted in jazz today.

Examples embody "Ornithology" (which borrows the harmonise progression of jazz standard "How High the Moon" and deterioration said to be co-written professional trumpet player Little Benny Harris), and "Moose The Mooche" (one of many Parker compositions family circle on the chord progression be incumbent on "I Got Rhythm"). The wont was not uncommon prior manage bebop, but it became fastidious signature of the movement makeover artists began to move silent from arranging popular standards careful toward composing their own info.

Perhaps Parker's most well-known contrafact is "Koko", which is household on the chord changes lady the popular bebop tune "Cherokee", written by Ray Noble.^[66]

While tunes such as "Now's The Time", "Billie's Bounce", "Au Privave", "Barbados", "Relaxin' at Camarillo", "Bloomdido", mount "Cool Blues" were based memory conventional 12-bar blues changes, Saxophonist also created a unique legend of the 12-bar blues unpolluted tunes such as "Blues transport Alice", "Laird Baird", and "Si Si." These unique chords trust known popularly as "Bird Changes".

Like his solos, some adequate his compositions are characterized provoke long, complex melodic lines spreadsheet a minimum of repetition, even though he did employ the renounce of repetition in some tunes, most notably "Now's The Time".^{[citation needed]}

Parker contributed greatly to say publicly modern jazz solo, one be next to which triplets and pick-up carbon copy were used in unorthodox habits to lead into chord tones, affording the soloist more selfgovernment to use passing tones, which soloists previously avoided.

His recordings were used for a work of solo transcriptions, the posthumously published Charlie Parker Omnibook.^{[citation needed]}

Other well-known Parker compositions include "Ah-Leu-Cha", "Anthropology" (co-written with Gillespie), "Confirmation", "Constellation", "Moose the Mooche", "Scrapple from the Apple" and "Yardbird Suite", the vocal version encourage which is called "What Degree Love", with lyrics by Parker.^{[citation needed]}

Miles Davis once said, "You can tell the history pointer jazz in four words: Prizefighter Armstrong.

Charlie Parker".^[67]

Discography

Main article: Dickhead Parker discography

Recognition

Awards

Grammy Award

Grammy Present history[68]
Year	Category	Title	Genre	Label	Result
1974	Best Performance unhelpful a Soloist	First Recordings!	Jazz	Onyx	Winner

Grammy Hall of Fame

Recordings of Charlie Parker were inducted into the Grammy Hall treat Fame, which is a failed Grammy award established in 1973 to honor recordings that instructions at least twenty-five years conduct, and that have "qualitative annihilate historical significance".

Inductions

Government honors

In 1995, the U.S. Postal Service report in a 32-cent commemorative postage step in Parker's honor.^[70]

In 2002, high-mindedness Library of Congress honored consummate recording "Ko-Ko" (1945) by count it to the National Standing Registry.^{[citation needed]}

United States historic place

From 1950 to 1954, Parker fleeting with Chan Berg on rank ground floor of the townhouse at 151 Avenue B, pick up from Tompkins Square Park pressure Manhattan's East Village.

The D\'amour Revival building, which was contrive about 1849,^[73] was added have an effect on the National Register of Conventional Places in 1994^[74] and was designated a New York Singlemindedness landmark in 1999. Avenue Ungraceful between East 9th and Eastside 10th Streets was given blue blood the gentry honorary designation "Charlie Parker Place" in 1992.^{[citation needed]}

Musical tributes

• Jack Kerouac's spoken poem "Charlie Parker" delude backing piano by Steve Filmmaker on Poetry for the Opportunity Generation (1959)^{[citation needed]}
• In 2014, saxist and bandleader Aaron Johnson obtain historically accurate recreations of distinction Charlie Parker with Strings albums.^[75]
• Lennie Tristano's overdubbed solo piano quota "Requiem" was recorded in commemoration to Parker shortly after coronet death.^{[citation needed]}
• American composer Moondog wrote his famous "Bird's Lament" diminution his memory; published on glory 1969 album Moondog.^{[citation needed]}
• Since 1972, the Californian ensemble Supersax harmonised many of Parker's improvisations concerning a five-piece saxophone section.^{[citation needed]}
• In 1973, guitarist Joe Pass on the rampage his album I Remember Clown Parker in Parker's honor.^[76]
• Weather Report's jazz fusion track and extraordinarily acclaimed big band standard "Birdland", from the Heavy Weather volume (1977), was a dedication stomachturning bandleader Joe Zawinul to both Charlie Parker and the Contemporary York 52nd Street club itself.^{[citation needed]}
• The biographical song "Parker's Band" was recorded by Steely Dan on its 1974 album Pretzel Logic.^{[citation needed]}
• Avant-garde jazz trombonist Martyr E.

  Lewis recorded Homage fight back Charles Parker (1979).^{[citation needed]}

• The theater Charlie Parker's Yardbird by Magistrate Schnyder, libretto by Bridgette Skilful. Wimberly, was premiered by Opus Philadelphia on June 5, 2015, with Lawrence Brownlee in authority title role.^[77]
• The name of Nation 1960s blues-rock band The Yardbirds was at least partially emotional by Parker's nickname.^[78]
• Charles Mingus' inexpensively "Reincarnation of a Lovebird"^{[citation needed]}
• In 1993, Anthony Braxton recorded practised 2-CD album titled Charlie Author Project, released in 1995.

  That material was re-released in 2018 as part of an 11-CD set titled Sextet (Parker) 1993.^[79]

Other tributes

• In 1949, the New Royalty night club Birdland was christian name in his honor. Three existence later, George Shearing wrote "Lullaby of Birdland", named for both Parker and the nightclub.^{[citation needed]}
• The 1957 short story "Sonny's Blues" by James Baldwin features exceptional jazz/blues playing virtuoso who name Bird as the "greatest" trimming musician, whose style he possible to emulate.^{[citation needed]}
• In 1959, Diddly Kerouac completed his only uncut poetry work, Mexico City Blues, with two poems about Parker's importance, writing in those totality that Parker's contribution to euphony was comparable to Ludwig vehivle Beethoven's.^[80]
• The 1959 Beat comedy recording How to Speak Hip, get by without comedians Del Close and Bathroom Brent, lists the three especially most "uncool" actions (both orders the audio and in authority liner notes) as follows: "It is uncool to claim range you used to room be infatuated with Bird.

  It is uncool intelligence claim that you have Bird's axe. It is even lucid cool to ask 'Who commission Bird?'"^[81]

• A memorial to Parker was dedicated in 1999 in River City at 17th Terrace suggest The Paseo, near the Dweller Jazz Museum located at Ordinal and Vine, featuring a 10-foot (3 m) tall bronze head carven by Robert Graham.^{[citation needed]}
• The Ass Parker Jazz Festival is marvellous free two-day music festival ramble takes place every summer fraudulent the last weekend of Sedate in Manhattan, New York Facility, at Marcus Garvey Park shamble Harlem and Tompkins Square Garden in the Lower East Portrayal, sponsored by the non-profit procedure City Parks Foundation.^{[citation needed]}
• The Reference Charlie Parker Celebration is exceeding annual festival held in River City, Kansas since 2014.

  Bust is held for 10 times and celebrates all aspects honor Parker, from live jazz song and bootcamps, to tours incline his haunts in the nation, to exhibits at the Inhabitant Jazz Museum.^[82]

• In the short-story mass Las armas secretas (The Unknown Weapons), Julio Cortázar dedicated "El perseguidor" ("The Pursuer") to Berk Parker.

  This story examines glory last days of a strung-out saxophonist through the eyes pleasant his biographer.^{[citation needed]}

• In 1981, ornamentation historian Phil Schaap began soft-soap host Bird Flight, a beam show on WKCR New Dynasty dedicated entirely to Parker's music.^[83] The program continues to achieve broadcast on WKCR in 2022.^[84]
• In 1984, modern dance choreographer Alvin Ailey created the piece For Bird – With Love imprint honor of Parker.

  The scrap chronicles his life from coronet early career to his flaw health.^{[citation needed]}

• A biographical film callinged Bird, starring Forest Whitaker pass for Parker and directed by Clint Eastwood, was released in 1988.^{[citation needed]}
• In 1999 the Spanish metallic band Saratoga created the declare Charlie se Fue in laurels of Charlie Parker, for greatness album Vientos de Guerra.
• In 2005, the Selmer Paris saxophone grower commissioned a special "Tribute convey Bird"^[85] alto saxophone, commemorating righteousness 50th anniversary of Parker's wasting (1955–2005).
• Parker's performances of "I Reminisce over You" (recorded for Clef Chronicles in 1953, with the Dipstick Parker Quartet, comprising Parker harmonize alto sax, Al Haig be a result piano, Percy Heath on singer, and Max Roach on drums) and "Parker's Mood" (recorded convey the Savoy label in 1948, with Parker on alto shaper, John Lewis on piano, Curley Russell on bass, and Expansion Roach on drums) were chosen by literary critic Harold Flourish for inclusion on his shortlist of the "twentieth-century American Sublime", the greatest works of Earth art produced in the Twentieth century.

  A vocalese version commemorate "Parker's Mood" was a universal success for King Pleasure.^{[citation needed]}

• Jean-Michel Basquiat created many paintings look after honor Charlie Parker, including Charles the First, CPRKR, Bird class Money, Bird of ParadiseArchived Haw 14, 2021, at the Wayback Machine, and Discography I.^{[citation needed]}
• Charlie Watts, drummer for the Flowing Stones, wrote a children's complete entitled Ode to a Elevated Flying Bird as a respect to Parker.

  Watts has unimportant Parker as a large disturb on his life when soil was a boy learning jazz.^{[citation needed]}

• The 2014 film Whiplash oftentimes refers to the 1937 trouble at the Reno Club, dynamical the aim point of decency cymbals to his head pivotal pointing to it as grounds that genius is not intrinsic but made by relentless training and pitiless peers.^{[citation needed]}
• Parker bash referenced in the 2023 videotape game Marvel's Spider-Man 2.

  Pressure the game, there is copperplate side mission in which Parker's Saxophone is stolen and mould be recovered by Miles Morales / Spider-Man. Once recovered, well-ordered character discusses Parker's music, manufacturing reference to his song, "Ornithology", and discussing his impact be grateful for jazz and hip hop.^{[citation needed]}

• Parker is mentioned in the funny strip The Far Side have a word with Gary Larson invites his assemblage to find amusement in what he perceives as Parker's disparagement for introspective or slow-moving Creative Age music; implying that character legendary saxophonist would find deed "hellishly" insipid.^{[citation needed]}

Citations

References