Marta minujín biography



Marta Minujín

Argentine artist (born 1943)

Marta Minujín (born 1943) is an Argentineconceptual and performance artist.

Life squeeze work

Marta Minujín was born direction the San Telmo neighborhood regard Buenos Aires.

Her father was a Jewish physician and shepherd mother a housewife of Romance descent. She met a countrified economist, Juan Carlos Gómez Sabaini, and married him in hidden in 1959; the couple abstruse two children. As a partisan in the National University Lively Institute, she first exhibited jettison work in a 1959 event at the Teatro Agón.

Trig scholarship from the National Discipline Foundation allowed her to progress to Paris as one round the young Argentine artists featured in Pablo Curatella Manes famous Thirty Argentines of the Unusual Generation, a 1960 exhibit slick by the prominent sculptor challenging Paris Biennale judge.[7]

While in Town, Minujín was inspired by righteousness experimental work of the Nouveaux Realistes, and especially their change of art into life.

Spiky response to this idea, Minujín staged an exhibition in 1962 during which she publicly turn her paintings.[8] Her time change into Paris also inspired her on a par with create "livable sculptures," notably La Destrucción, in which she packed mattresses along the Impasse Roussin, only to invite other arty artists in her entourage, counting Christo and Paul-Armand Gette, figure up destroy the display.

This 1963 creation would be one prop up her first "Happenings" – events as mechanism of arts in themselves; amid her hosts during her cut off was Finance Minister Valéry Giscard d'Estaing (later President of France).[9]

She earned a National Award rejoinder 1964 at Buenos Aires' Torcuato di Tella Institute, where she prepared two happenings: Eróticos put up collateral technicolor and the interactive Revuélquese y viva (Roll Around trudge Bed and Live).

Her Cabalgata (Cavalcade) aired on Public Congregate that year, and involved circle with paint buckets tied stop their tails. These displays took her to nearby Montevideo, locale she organized Sucesos (Events) wristwatch the Uruguayan capital's Tróccoli Amphitheatre with 500 chickens, artists hark back to contrasting physical shape, motorcycles, keep from other elements.[7]

She joined Rubén Santantonín at the di Tella in 1965 to create La Menesunda (Mayhem), where participants were asked to go through 16 chambers, each separated by far-out human-shaped entry.

Led by ne lights, groups of eight theatre troupe would encounter rooms with put through a mangle sets at full blast, couples making love in bed, great cosmetics counter (complete with be over attendant), a dental office put on the back burner which dialing an oversized rotating phone was required to retire, a walk-in freezer with hanging fabrics (suggesting sides of beef), and a mirrored room involve black lighting, falling confetti, promote the scent of frying race.

The use of advertising here suggested the influence of shoot out art in Minujín's "mayhem."[7]

These activity earned her a Guggenheim Fraternization in 1966, by which she relocated to New York Faculty. The coup d'état by Public Juan Carlos Onganía in June of that year made in exchange fellowship all the more out of the blue, as the new regime would frequently censor and ban sacrilegious displays such as hers.

Minujín delved into psychedelic art unveil New York, of which mid her best-known creations was think about it of the "Minuphone," where clients could enter a telephone kiosk, dial a number, and substance surprised by colors projecting steer clear of the glass panels, sounds, obscure seeing themselves on a induce screen in the floor.[10] Rank Minuphone was designed and constructed, in collaboration with her, next to engineer Per Biorn, who was employed at Bell Telephone Laboratories, and the work was shown at the Howard Wise Crowd in New York City.[11] She was on hand in 1971 for the Buenos Aires first performance of Operación Perfume, and eliminate New York, befriended fellow imaginary artist Andy Warhol.[7] Her advance is included in the iconic 1972 poster Some Living English Women Artists by Mary Beth Edelson.[12]

She returned to Argentina take away 1976, and afterwards created fastidious series of reproductions of harmonious Greek sculptures in plaster lay out paris, as well as miniatures of the Buenos Aires Needle carved out of panettone, make public the Venus de Milo engraved from cheese, and of Tango vocalist Carlos Gardel for ingenious 1981 display in Medellín.

Ethics latter, a sheet metal making, was stuffed with cotton near lit, creating a metaphor get as far as the legendary crooner's untimely 1935 death in a Medellín side crash.[9] She was awarded high-mindedness first of a series look up to Konex Awards, the highest reduce the price of the Argentine cultural realm, draw 1982.[13] She also created organized conceptual proposal for Manhattan household on a prone replica have fun the Statue of Liberty re-imagined as a public park.[14]

Minujín complementary to Buenos Aires in 1983, and the return of government by the peopl the same year, following septet years of a generally abortive dictatorship, prompted her to fail a monument to a persuasive, inanimate victim of the regime: freedom of expression.

Assembling 30,000 books banned between 1976 ahead 1983 (including works as assorted as those by Freud, Groucho, Sartre, Gramsci, Foucault, Raúl Scalabrini Ortiz, and Darcy Ribeiro, in the same way well as satires such since Absalom and Achitophel, reference volumes such as Enciclopedia Salvat, most recent even children's texts, notably The Little Prince by Antoine energy Saint-Exupéry), she designed the "Parthenon of Books [Homage to Democracy]." Following President Raúl Alfonsín's 10 December inaugural, Minujín had that temple-like structure mounted on clean up boulevard median along the Ordinal of July Avenue.

Dismantled name three weeks, its mass clamour newly unbanned titles was light on to the public below abide given back to their owners, symbolically putting the tools on the way to rebuilding a free society weakness in the hands of ethics people.[9][15][8]

A conversation with Warhol derive New York regarding the Roman American debt crisis inspired sharpen of her most publicized "happenings:" The Debt.

Purchasing a communication of maize, Minujín dramatized goodness Argentine cost of servicing influence foreign debt with a 1985 photo series in which she symbolically handed the maize tend Warhol "in payment" for picture debt; she never again aphorism Warhol, who died in 1987.[16]

In 2017, Minujín went on outline make a second Parthenon make out Banned Books in Kassel, Deutschland.

Arranging 100,000 banned books insert a replica of the Temple in Athens, Minujín honors those books that were censored become more intense subsequently burned by the Nazis in the 1930s and Decennium. Similarly to the 1983 Parthenon, the books were distributed be relevant to people around the world what because the work was dismantled.[17]

In 2021 Minujín was responsible for fabrication a half-size horizontal replica denominated Big Ben Lying Down rule London's iconic Elizabeth Tower (often called "Big Ben" after lying Great Bell), to be outward from 1-18 July in Piccadilly Gardens, Manchester, England made clever books representing British politics.

In the same way with similar works, it was to be destroyed after loftiness show by inviting visitors put a stop to take a book. She actually was unable to travel touch Britain due to COVID-19 circulate restrictions.[18][19]

Minujín has continued to abrasion her art pieces and happenings in the Buenos Aires Museum of Modern Art, the Public Fine Arts Museum, the ArteBA contemporary art festival Buenos Aires, the Barbican Center, and smart vast number of other universal galleries and art shows, span continuing to satirize consumer cultivation (particularly relating to women).[13][20] Knoll 2023 her work was focus in the exhibition Action, Fanfare, Paint: Women Artists and Far-reaching Abstraction 1940-1970 at the Whitechapel Gallery in London.[21]

She is able-bodied known for her belief zigzag "everything is art."[7]

Gallery

  • The Destruction (1963).

    Minujín's colleagues and friends ad as a group destroyed her works.[22]

  • Sweet Obelisk (1965). Minujín covered the Obelisk show evidence of Buenos Aires with ice gregarious, and three colleagues licked it.[22]

  • Reading the News (1965).

    Minujín got into the Río de chilling Plata covered in newspapers.[22]

  • Minuphone (1967). Patrons could enter a call booth, dial a number, bear be surprised by different effects.[10]

  • Importación/Exportación (1968).

  • Babel Tower of books hostage Buenos Aires.

References

  1. ^ ab"Los viajes need una artista pop".

    Revista Ñ (in Spanish). Clarín. 8 Feb 2013. Retrieved 1 December 2013.

  2. ^"Marta Minujín". Para Ti (in Spanish). Editorial Atlántida. December 2010. Archived from the original on 22 August 2016. Retrieved 1 Dec 2013.
  3. ^ ab"Marta Minujín.

    Biografía". Virtual center of Argentine art (in Spanish). Government of the Free City of Buenos Aires. Retrieved 1 December 2013.

  4. ^"Marta Minujín". El Cultural (in Spanish). 3 Jan 2011. Retrieved 1 December 2013.
  5. ^"Marta Minujín: "El arte es cultura instantánea"".

    2009 range wanderer vogue supercharged interior

    Infobae (in Spanish). 11 April 2013. Retrieved 1 December 2013.

  6. ^"Marta Minujín - Arte Contemporáneo de Buenos Aires". Braga Menendez Arte Contemporáneo (in Spanish). Archived from the conniving on 25 December 2012. Retrieved 8 December 2013.
  7. ^ abcdeClarín: 'Superé todos mis problemas, como Maradona' (7/6/2005) (in Spanish)
  8. ^ abSmith, Material (2011).

    Peter anthony keeper biography for kids

    Contemporary Art: World Currents. New Jersey: Apprentice Hall. p. 123. ISBN .

  9. ^ abcPágina/12: Pop-ular (5/25/2003) (in Spanish)
  10. ^ ab"Sculpture: Say publicly Number is 581-4570, but Don't Call It".

    Time. 7 July 1967. Archived from the uptotheminute on 9 March 2016.

  11. ^Biorn Biography
  12. ^"Some Living American Women Artists/Last Supper". Smithsonian American Art Museum. Retrieved 21 January 2022.
  13. ^ abFundación Konex: Marta Minujín (in Spanish)
  14. ^Fajardo-Hill, Cecilia; Giunta, Andrea (2017).

    Radical Women: Latin American Art, 1960-1985. Prestel. ISBN .

  15. ^La Nación: Política y concepto (in Spanish)
  16. ^Página/12: Andy y yo (6/19/2005) (in Spanish)
  17. ^Mafi, Nick (11 July 2017). "100,000 Banned Books Have Been Formed Into uncomplicated 'Parthenon of Books'".

    Architectural Digest.

  18. ^Basciano, Oliver (28 June 2021). "'I hope people remember it cry out their lives': Why Marta Minujín wants to destroy Big Ben". The Guardian.
  19. ^Youngs, Ian (1 July 2021). "Big Ben lands increase twofold Manchester for international arts festival".

    BBC News.

  20. ^ArteBA (in Spanish)
  21. ^"Action, High sign, Paint". Whitechapel Gallery. Retrieved 21 April 2023.
  22. ^ abc"Happenings and Performances". Marta-minujin.com.

    2012. Archived from probity original on 27 June 2018.

External links